Memphis Raines must return to the world of auto theft after his brother breaches a contract with a Russian crime lord to deliver high end cars. Memphis must get a gang together for a one night 'boost' to grab all the cars while avoiding apprehension by the auto theft cop who trailed him years before.
Legendary car thief/booster Randall "Memphis" Raines retired from the criminal life in 1994. Now six years later after Auto Theft in the greater Los Angeles/Long Beach district went down by 47%, his brother, Kip Raines takes over "the job", employed by British car broker Raymond Calitri. When one night Kip messes up stealing some cars, Memphis gets called back to the life he got out of. His most impossible mission: Steal 50 exotic cars all over Los Angeles and Long Beach in just one night and deliver them to Long Beach Harbor, Pier 14 by 8:00am, Friday morning, on the button, or never see his brother again. And so Memphis and Kip, with the help of longtime friend Otto Halliwell reassembles his old crew which includes sexy Sara "Sway" Wayland", a renegade white-haired mechanic by day, bartender by night, to pull off the biggest mission ever. The only problem is the LAPD G.R.A.B. (Governor's Regional Auto-Theft Bureau). It's on the lookout and Det. Roland Castlebeck and his partner, Det. Drycoff are keeping close eyes on Memphis and his team. Can the team pull this assignment off and collect $200,000 in cash? Will Kip finally realize that car boosting is dangerous? And can Memphis escape Castlebeck and the cops? It's a long shot and it's going to be one hell of a long night, but they may have a chance. Cut to the chase.
I was expecting non-stop action and didn&#39;t get it. Simply because a movie doesn&#39;t live up to my misled expectations doesn&#39;t necessarily mean that it is bad, however. I found this movie to be one that possessed some really good things and some really bad ones.<br/><br/>First, the movie does have some horrible expository writing that the actors could have done without. I don&#39;t think that directors can take the &quot;but this is an action movie!&quot; stance, since both good writing and good action buildup have coincided peacefully and rightfully in other movies.<br/><br/>Second, I can&#39;t help but contrast the camera angles with those of Mission: Impossible 2&#39;s. Obviously, in Gone in 60 Seconds, the director wanted the audience to feel disoriented. I think he went a tad overboard. The result was too disorienting. Woo was able to find a good balance; the director of Gone in 60 Seconds was not.<br/><br/>Third, knowing of the original, I was excited about a multi-million remake. The director should have taken some hints from the movie&#39;s predecessor. I wanted to see cars crash, spin and soar. The only true chase was alright, but it leaves you begging for more and wishing that there was more true action in the movie overall.<br/><br/>Fourth, although the writer knew that there had to be multiple antagonists to be pitted against the strong protagonists, they turn out to be weak, and in some cases, ill-fitted for a movie where the audience is expecting chases to happen in cars, not on foot (see the movie, you&#39;ll see what I mean).<br/><br/>Fifth (onto the good things), despite the extensive and numbing expository, there were some very subtle parallels plugged into the plot. The villain&#39;s salvage yard versus Otto&#39;s restoration shop is one for example. There was at least, some thought put into the writing after all.<br/><br/>Sixth, the contrast of and tensions between the young and old generations was also delightful. For me, that was one of the best things about the movie.<br/><br/>So, I&#39;d give it a 5 out of 10. The action was good, but the camera angles stank. The writing had some very good ideas plugged into it, but the exposition and protagonist/antagonist conflict were ludicrous. So, see the movie and enjoy it. It&#39;s not a pure action movie, but it&#39;s neither a drama. If you want a one-time thrill and don&#39;t care much about what is said in a movie, this one&#39;s for you.
It is sure that the standard of movie that Nicolas Cage in it has gone down, just like John Travolta. This movie is one of them. `Gone in Sixty Second&#39; is just another car flick, but boring on, even though there are a lot of good cars to entertain people and how it work. The film is far too dull for this type of movie. If you not a car-craze, you won&#39;t be missing anything much if you didn&#39;t watch this film. <br/><br/>Max5.2/10
Proves a theory first advanced in the movie "Repo Man": The more you drive, the stupider you get.
Nearly five years after the first release of this movie on DVD, Buena Vista Home Ent. released an Unrated Director&#39;s Cut that features not only several new scenes - altogether 45 - but also alternate angles of existing shots.
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